The Hangover Part III


Summary:

The Hangover Part III is admittedly much different than the other two but ultimately lifeless and a string of unused ideas cobbled together to make a third. The return to Vegas serves as no other purpose than to give the film some semblance of an end to the trilogy, and the trip to Tijuana is unremarkable. Ed Helms and Bradley Cooper seemingly come across as phoning it in and left much of the film’s humor to Zach Galifianakis’ stale caricature of Alan. The movie feels like the it drags the audience through a dull cat and mouse chase with Chow, which has very little challenge and no reward. The ideas are never fully realized on screen and this third installment never comes close to the laughs that made its predecessors funny even at its worst. For a series that has had so many outlandish and memorable moments, The Hangover Part III slumps away as the most forgettable in the franchise.

It’s been a few years but the Wolf Pack is finally back in one last adventure! The Hangover Part III hit theaters this past Thursday and aims to bring the trilogy to a close. Personally I’ve been silently rooting for this movie to make a triumphant come back after the disastrous second installment. The first one, although not perfect, featured tons of funny surprises, great laughs, and of course a brilliant chemistry among Ed Helms, Zach Galifianakis, and Bradley Cooper. Then came The Hangover Part II, which tried to copy the success of the first with a dark and raunchy clone of what made the first one such a hit in the first place. Even at it’s lowest The Hangover Part II still featured some genuine laughs, but unfortunately not much of the same can be said for The Hangover Part III.

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After Alan (Zach Galifianakis) causes a major pile up on the highway, his father tries to talk some sense into him about taking responsibility but stubbornly Alan refuses to hear reason and inadvertently causes his dad to have a heart attack and die. Deciding enough is enough, Alan’s family decides it’s time for an intervention and are going to send Alan to get help. Alan agrees but only if the wolf pack takes him there for one last outing. Of course, nothing is ever simple for the Wolf Pack and they find themselves hunting down Leslie Chow (Ken Jeong) for another criminal figurehead named Marshall (John Goodman).

To say I was apprehensive about this movie is an understatement, but I started to have a small sliver of hope once reports were coming in that the third outing would not follow the familiar paradigm of the first two films. Although I applaud it for succeeding in being different, there’s nothing here but lazy story telling, ideas that don’t fully connect on screen, and most importantly the lack of genuine laughs. Call backs to the previous films feel haphazardly thrown in and fresh faces like John Goodman are nothing more than name grabs for minor roles. For a series that has had some many outlandish and memorable moments, The Hangover Part III slumps away as the most forgettable movie of the franchise.

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The gang travels to Tijuana and Las Vegas but neither of the outings are memorable. The reason for their trip to Tijuana could have taken place anywhere and it wouldn’t change the nature of the story in the slightest. Las Vegas feels shoehorned in just to give the movie some semblance of a finale to a trilogy and eventually becomes a chore once the gang begins the “I swore I’d never do this again,” type dialogue. Half the fun of the first two films were moving from location to location trying to piece together information, where as this one comes across as dragging us through a cat and mouse chase with Chow. I’m not lobbying for another fuzzy memory escapade, but it’s not even that much of a challenge to find Chow therefore there’s little to new satisfying reward by the movie’s end. The characters talk down and directly to the audience as they over explain their actions and plans. The mystery and fun is gone and we are treated with a location-hopping attempt that comes across as a paint by the numbers film with some action pieces thrown in.

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The Hangover Part III is very Alan centric both in story and humor (more on that later). The movie tries to grow Alan’s character throughout the film but it doesn’t come across as fully developed as I would have liked. Much of Alan’s story never feels adequately intertwined with the find Chow plot and the two story lines often clash. It doesn’t help that Alan’s growth only comes in a very deus ex machina fashion and we only catch glimpses of this character change.  Despite my love for Ken Jeong, the character of Chow has always been incredibly annoying to me and having him front and center of the story didn’t change that. Chow works best in segments but we are treated to more screen time with this obnoxious man whose humor is derived from racy and vulgar jokes. The movie ultimately comes across as conflicted on whether or not it wanted to have Chow or Alan as the main focus of the film, neither of which get the proper treatment it so desperately needs. Even though Chow and Alan have a lot of similarities worth comparing to show their character, the movie never achieves this on screen.

Having the gang concerned for the well being of Alan seemed like it was ripe for exploring but never reaches its full potential. You can see where they were going but much of the gang’s adventure ultimately comes across as set up for the extra scene during the credits, which admittedly was pretty funny but nothing more than fan service. The strive to put a bow on this trilogy makes the film feel as though references to the other two films were thrown in at every fitting chance. Jokes are based off, “remember when we did that,” and couldn’t be any more blatant than holding a flashing red sign on screen that says laugh now. If it’s not a walk down memory lane the jokes are nothing more than the low hanging fruit of animal cruelty and racial jokes.  The rest of the film’s humor is carried by Alan, which has unsurprisingly hit a point of diminishing returns. Although Galifianakis is always a joy to watch on screen, the character of Alan has grown rather stale and moved from small chunks of innocent humor to a caricature of an “Oh that’s so Alan,” type show.

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Another big set back is that the film feels so lifeless. A sequel to the first was pushing it but this final installment comes across as tired, and used up. There’s no charm to the characters that made them so interesting in the first, and there’s no wild adventure that made the second one laughable, it’s just a movie that feels cobbled together from unused ideas and money cash ins. I walked away from the film with the impression that both Ed Helms and Bradley Cooper were phoning it in this time. Their reactionary humor is mix between screaming at the absurdity and being over dramatic. It’s such a shame that the movie never feels like it hits a stride because the heart of each movie has always been the wonderful trio. However in this outing the trio feels segmented and never captures the spirit that helped keep the other two funny even at its worst.

The Hangover Part III is admittedly much different than the other two but ultimately lifeless and a string of unused ideas cobbled together to make a third. The return to Vegas serves as no other purpose than to give the film some semblance of an end to the trilogy, and the trip to Tijuana is unremarkable. Ed Helms and Bradley Cooper seemingly come across as phoning it in and left much of the film’s humor to Zach Galifianakis’ stale caricature of Alan. The movie feels like it drags the audience through a dull cat and mouse chase with Chow which has very little challenge and no reward. The ideas are never fully realized on screen and this third installment never comes close to the laughs that made its predecessors funny even at its worst. For a series that has had so many outlandish and memorable moments, The Hangover Part III slumps away as the most forgettable in the franchise.

Interested in writing reviews or news posts for Thinking Cinematic? Contact me at ThinkCinematicReviews@gmail.com! You can also send your guest reviews there too!

Connect with me at
Twitter: @Treyrs20o9
Twitter: @Think_Cinematic
Email: ThinkCinematicReviews@Gmail.com

Community Review: Advanced Introduction to Finality


Summary:

Overall Advanced Introduction to Finality is chaotic, over ambitious, and ultimately flat. It’s disappointing that the episode feels like a let down especially when it’s dealing with something as big as Jeff’s graduation. The return of paintball and the darkest timeline is admittedly a fun and humorous experience but neither captures the spirit that made their original episodes so worthwhile.  On paper the ideas within the episode are great but would have better served as two episodes instead of one rushed experience.

Community’s finale is finally upon us and with the unfortunate possibility that this could be last it’s hard to say that the episode was quite up to snuff. As I write this things are looking optimistic for a fifth season of Community but nothing is set in stone. It’s a shame that Advanced Introduction of Finality missed the mark, especially when it handled something as big as Jeff’s graduation!

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The episode opens up with Jeff negotiating the terms of his new job at his friend’s law firm. Conflicted, Jeff is worried to move on from Greendale, fearing that his new job will only lead him to return to the shallow person he was before Greendale. Meanwhile, unexpected visitors from the darkest timeline make an unwelcomed visit and attempt ruin Jeff’s plans for the future.

It’s somewhat fitting that this episode ends much like the season began, chaotic, over ambitious, and ultimately flat. On paper the way the episode is handled seems like a great idea but the quick pace and rushed feeling only hurts the episode. The episode does have an overall fun vibe and everyone seems to be firing on all cylinders. Pierce’s exit from the show is fitting but it’s just about as pertinent as his presence this entire season. Overall the biggest disappointment is the anticlimactic feel of Changnesia.

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When last week’s episode ended with Chang telling Dean Spreck that he was done with their evil plan I was assured that the plotline they’ve been slowly revealing would finally take center stage in the finale. However, Advanced Introduction to Finality says to hell with Changnesia and ultimately drops it in favor of bringing back the darkest timeline. For as much time as they spent on Chang and City College this season I can’t help but feel let down for the way they ended this story with a simple phone call. It makes it feel as though a portion of this season is ultimately pointless.

I’m still conflicted on whether or not I enjoy the return of the darkest timeline. Admittedly it provided a lot of fun and humorous moments for the episode but the way it was handled felt so flat. Tying the darkest timeline with a “way to make paint ball cool again” doesn’t capture any of the spirit that made their original episodes so wonderful. The paintball fights between the study group and their doppelgangers are incredibly lame and are nothing more than the darker versions of themselves just standing directly in front of their counterpart just to get shot. Having the darkest timeline represent Jeff’s insecurity with graduating is great but pairing it up with the actual graduation only takes valuable time away from both stories leaving an underdeveloped feeling.

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Everything has been leading up to this moment for the series and half the episode is dealt within a dream sequence. Luckily the darkest timeline is only a figment of Jeff’s imagination preserving the very thin line of reality and wackiness. The episode works best when we are dealing with the study group in reality and focusing on Jeff’s graduation. It’s handled in a very Greendale fashion and provides a very tender moment for the group as a whole. Don’t get me wrong, the episodes ideas are great but would have served better as two separate episodes. If it is a series finale it does well bringing Jeff back to his full circle but there’s ultimately a hollow feeling of satisfaction.

Overall Advanced Introduction to Finality is chaotic, over ambitious, and ultimately flat. It’s disappointing that the episode feels like a let down especially when it’s dealing with something as big as Jeff’s graduation. The return of paintball and the darkest timeline is admittedly a fun and humorous experience but neither captures the spirit that made their original episodes so worthwhile.  On paper the ideas within the episode are great but would have better served as two episodes instead of one rushed experience.

Interested in writing reviews or news posts for Thinking Cinematic? Contact me at ThinkCinematicReviews@gmail.com! You can also send your guest reviews there too!

Connect with me at:
Twitter: @Treyrs20o9
Twitter: @Think_Cinematic
Email: ThinkCinematicReviews@Gmail.com

Community Review: Heroic Origins



Although it seems like we just started it’s finally the penultimate episode of community. Unfortunately due to time constraints this will be an abridged review and I apologize in advance. So here are my quick thoughts on Heroic Origins (4.12).

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The episode opens up with the group trying to study for their last history test of the semester. Abed reveals that he’s been slowly tracking the groups origin and discovered that the group were destined to meet and that their stories have always been interwoven. Meanwhile Chang’s evil plan to expel the study group and shut down Greendale starts to come to fruition.

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As a whole I’m conflicted with the episode. The idea that the study group was destined to meet by fate sort of tramples over the premise of the show. This group was suppose to be an unlikely band of misfits who by random chance met and melted together into a family they never had. On the other it was a guilty sense of pleasure wanting to delve deeper into the group of characters that I have grown attached to over the years. For the most part the episode works as a whole with a very series finale vibe to it. Barring a few minor plot inconsistencies, the episode felt like a love letter from the writers to the fans. The jokes work well and the references they manage to squeeze in are amusing.

I really liked the running gag with the Star Wars prequels stabs but it comes away as been there and done that. My favorite moment was probably the origin of Magnitude which I will leave undiscussed for you to enjoy on your own. I was actually surprised that the episode was able to deal and salvage Chang in a way that I thought we would never see again. I think the biggest breaking factor for this episode is the fact that these stories try so hard to intertwine that it becomes too convenient and really hard to suspend disbelief.

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Overall the premise of the episode is very pleasing and can be seen as a love letter to the fans from the writers, barring a few plot inconsistencies that is. The make or break factor of the episode is the fact that it tries so hard to intertwine each others stories that it comes across as to convenient and almost impossible to suspend disbelief. There are great moments regarding the origins of side characters as well as a great sense of redemption for Chang. As a whole the episode is enjoyable but the fact that it sort of messes with the premise of the show is a bit of a hard pill to swallow.

Community Review: Basic Human Anatomy (4.11)


Summary:

Basic Human Anatomy brings the familiar Community charm by inserting a wacky theme while still keeping it grounded in reality. The episode touches on the awkwardness of the romantic relationship between Troy and Britta and gives more depth to it in one episode than they have all season. There is a nice flow between the plots that makes great use of the study group and their fast paced banter. The joke density is high in this episode and we see a lot of strong story pairings between the group.  Overall the episode finds the perfect balance between emotional depth and crazy humor.   

All season I have been waiting for an episode of Community that would be the stand out episode for the season. I have been on board with season four of Community since the get go but I do acknowledge that there seems to be something off. There have been a few gems here and there but nothing that seemed to hit on all cylinders. Though we still have two episodes to go, last night’s Basic Human Anatomy (4.11) made a really strong case as the standout episode for this season.

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The episode opens up with the gang as they’re discussing their last history project for the semester. Annie and Shirley are both concerned with the group’s effort due to their neck and neck race with becoming valedictorian, while Jeff is content with a doable and passable grade. Meanwhile Troy and Abed celebrate their three-year anniversary of the first time that they watched Freaky Friday by accidentally swapping bodies.

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Basic Human Anatomy marks the first episode written by Oscar Winner, Jim Rash (The Descendants), aka Dean Pelton. Rash is able to capture the spirit that seemed to be lacking in season four while still maintaining the new tone and direction. One of the things that I liked most about this is episode is the fact that it was able to make use of the group without feeling like anyone was particularly isolated, save for Pierce but that’s a different story. The joke density is solid and is probably one of the more quick-witted episodes this season. The fast pace banter around the study room is back and provides a lot of great laughs.

The episode works to the strength of the cast and we see the return of some nice pairings. The competitive nature between Shirley and Annie has always been delightful to watch on screen, and even more so now that they introduced the race to be valedictorian.  Troy and Jeff also get some nice screen time and we Jeff acting as a father like mentor to Troy.

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One of my complaints this season has been the romantic spin that the writers have placed on this season, in particular with Troy and Britta. Although last season saw the two pair up, it never really developed into a full relationship and often felt out of place. Not only does this episode acknowledge this but it gives depth to a relationship that has been so flat all season. It’s amazing how many emotional chords this episode is able to hit despite its wacky body-switching theme.

I was apprehensive to say the least when I heard that this episode would be tackling a Freaky Friday homage. This season has proved that the new crew hasn’t quite figured out how to nail high concept episodes yet, and I was worried that it would fall flat. However, the Community charm shines bright in this episode and it’s able to insert a wacky idea like Troy and Abed switching bodies and still keep it grounded in reality. We see so much emotion from various characters in a scenario that is easy to roll your eyes at but the talent, and the writing are able to make it work. It was very reminiscent of Abed’s Uncontrollable Christmas from season two. It’s episodes like Basic Human Anatomy that proves a fifth season would be worth it, especially if they give Jim Rash more episodes to write.

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Basic Human Anatomy brings the familiar Community charm by inserting a wacky theme while still keeping it grounded in reality. The episode touches on the awkwardness of the romantic relationship between Troy and Britta and gives more depth to it in one episode than they have all season. There is a nice flow between the plots that makes great use of the study group and their fast paced banter. The joke density is high in this episode and we see a lot of strong story pairings between the group.  Overall the episode finds the perfect balance between emotional depth and crazy humor.

Interested in writing reviews or news posts for Thinking Cinematic? Contact me at ThinkCinematicReviews@gmail.com! You can also send your guest reviews there too!

Connect with me at:
Twitter: @Treyrs20o9
Twitter: @Think_Cinematic
Email: ThinkCinematicReviews@Gmail.com

Community Review: Intro to Knots (4.10)


Summary:

Overall, Intro to Knots is a solid and humorous episode that drops plenty of subtle references and callbacks.  The inclusion of Malcolm McDowell as Professor Cornwallis is a very welcome appearance and his antagonistic spirit gave the episode plenty of bite. The dark tone brings the group to a new low and doesn’t do a good job of redeeming them. If you can look past that fact, you’ll be rewarded with a comically sharp, and cleverly written episode that show’s Community isn’t down and out just yet.

With the last two episodes of Community being less than favorable I was a bit worried heading into Intro to Knots (4.10). The quality this season has been an up and down roller coaster and ratings have been dipping pretty drastically. Being so close to the end with bad ratings made it look very grim for Community but hopefully last night’s Intro to Knots was a good indication of a strong three-episode home stretch.

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The episode opens up with Annie arriving early at Jeff’s apartment in order to set up Christmas decorations. One by one the group members arrive and the holiday festivities begin. Once everyone is settled in Annie reveals to the group that she has found out that the group has received a failing grade on their history paper. Annie invites Professor Cornwallis to the party in an attempt to coerce the professor into raising their grade up.

Intro to Knots starts off a bit slow and awkward. The episode pays homage to Alfred Hitchcock’s Rope, and features long continuous shots in the earlier scenes. It comes off as strange and out of place for Community especially if you don’t catch the reference. Personally I wasn’t familiar with the reference material so this bit was lost on me until I was able to look through discussion boards online. The episode abandons this technique as the show continues so it’s not that big of a distraction.

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There’s also a strange opening scene with Jeff and Annie. Conventions of Space and Time (4.03) revealed that Annie often likes to plays house with Jeff in her imagination. It was a rather creepy revelation and Intro to Knots brings that creepiness back into focus this episode. She arrives and immediately begins decorating the house as though she was living there. The exchange between Jeff and Annie is a tiny bit uncomfortable but fortunately it is dissolved once the other members begin to arrive.

Once the episode hurdles past those opening setback the episode quickly moves up as one of my favorite episodes this season. The inclusion of Malcolm McDowell as Professor Cornwallis tied this episode together really well. McDowell fits right in with the cast and brings an antagonistic energy that gave the episode bite. Once Cornwallis discovers that he is being sucked up to he slowly begins to try and dismember the group by verbally turning the members on each other one by one.  His manipulative dialogue and dry delivery kept me captivated from scene to scene.

The episode shares a very similar spirit to season two’s Cooperative Calligraphy, which is one of Community’s best. The group always seems to be at their best when they are attacking and calling each other out. The dialogue was humorous and sharp and produced a lot of laughs. It also introduced a very interesting plot about Annie and Shirley’s competitive academic performance at Greendale. There’s a dark vibe to Intro to Knots that makes it feel similar to an episode of It’s Always Sunny in Philadelphia. We see the group reach a very low point and it doesn’t do a very good job of redeeming them as good people. This is the make or break factor for the episode but personally I was able to look past it.

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There are few aspects to Intro to Knots that feels a bit tacked on. I know NBC is to blame for a Christmas episode airing in April but I don’t understand why the writers felt the need to make a Christmas episode that wasn’t really in the holiday spirit aside from the decorations. Christmas episodes are gems from each season and it feels like this one was a waste, especially given that they tried to tie in a Die Hard homage that didn’t quite reach the mark. Abed is the only one that ever seems to make any mention of Die Hard throughout the episode and he continuously spouts off references to the movie. His passive observational comments while the group was in a dire situation are humorous and it did set up for some funny visual gags. However, I would have rather waited to see a Die Hard Christmas episode given the proper festive treatment it deserved instead of tacking it on here.

Overall, Intro to Knots is a solid and humorous episode that drops plenty of subtle references and callbacks.  The inclusion of Malcolm McDowell as Professor Cornwallis is a very welcome appearance and his antagonistic spirit gave the episode plenty of bite. The dark tone brings the group to a new low and doesn’t do a good job of redeeming them. If you can look past that fact, you’ll be rewarded with a comically sharp, and cleverly written episode that show’s Community isn’t down and out just yet.

Interested in writing reviews or news posts for Thinking Cinematic? Contact me at ThinkCinematicReviews@gmail.com! You can also send your guest reviews there too!

Connect with me at:
Twitter: @Treyrs20o9
Twitter: @Think_Cinematic
Email: ThinkCinematicReviews@Gmail.com